Oodles of Brutals X: In Space, No One Can Hear You Slam

Devourment for Relapse Records, January 17, 2019.

Well friends, it’s been nearly eight months since the last Oodles of Brutals, which means we’re long overdue for another deep dive into the world of all things brutal and slamming.  So without further ado…

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Defecrator – Abortion of Humanity (Drakkar Productions, 2019)

Born of an unholy union between members of Killgasm and Gloriam Draconis, Sacramento black/death warlords Defecrator have been pillaging their way across the California metal underground since 2014.  After nearly half a decade of existence, they have at last dropped the tactical nuke of an album that is Abortion of Humanity on the unsuspecting masses and make no mistake, this aggressive yet atmospheric slab of total annihilation was worth the wait and then some.

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Belzebubs – Pantheon of the Nightside Gods (Century Media, 2019)

When I first saw the animated music video for “Blackened Call” I was not aware of Finnish artist J.P. Ahonen or his popular web comic Belzebubs.  As such, I wasn’t quite sure what to make of a cartoon black metal band romping about the woods, “Call of the Wintermoon” style.  I’m more than a bit ashamed to admit that my first thought was “Oh great, a corpse-painted version of Gorillaz,” yet there was something about the combination of quirky comic book visuals and frostbitten yet catchy and melodic black metal that made me want to see/hear more.

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What happens if Horna plays?

Last week Finnish black metal band Horna had several shows on their upcoming US tour cancelled due to an article posted by the online metal tabloid/shithole known as Metalsucks. MS did their usual stellar job of regurgitating widely known information (they’ve finally figured out how to use Metal Archives, apparently) and then patting themselves on the back for their hard-hitting journalism.

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Clicks, Lies and Black Metal

On November 16th, 2016, the online metal tabloid known as Metalsucks published their “manifesto” in which they very publicly announced “We will not tolerate racism, misogyny or any form of bigotry or hate speech” (because apparently it took them ten years of running a website, not to mention a good chunk of their adult lives to figure out these things are shitty).

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Merzbow – Venereology reissue/remaster bonus tracks (Relapse Records, 2019)

A few years back, I wrote a piece about Release Entertainment, the long lost sub-label of Relapse Records dedicated to experimental sounds of all kinds, from dark ambient to noise to death industrial.  One of the the most extreme albums to come out under the Release banner was Merzbow’s Venereology, a salvo of pure, corrosive sound that would serve as a gateway for many metalheads (including yours truly) into the world of harsh noise.  I previously bemoaned the fact that Relapse seems to have no interest in preserving the legacy of Release Entertainment, but perhaps they’ve come to their senses at least somewhat, because in honor of Venereology‘s twenty-fifth anniversary, they’re giving the album a rather lavish-looking vinyl reissue, replete with remastered sound and re-touched artwork, as well as three previously unreleased bonus tracks.

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Gorepot – Asian Stoned Effect (Brutal Mind, 2018)

Slam is one of the most over-the-top subgenres of metal and they don’t come any more absurdly OTT than Taipei City, Taiwan’s Gorepot.  The brainchild of ubiquitous slam god Larry Wang (Facelift Deformation, Fatuous Rump, Guttural Corpora Cavernosa, Maggot Colony, Umbilical Asphyxia, Coprocephalic, Fat Tub of Lard Records), Asian Stoned Effect is the band’s seventh album and it’s also one of the most ri-goddamn-diculous slamming death metal albums you’re ever going to hear.

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