THKD’s 10 Favorite American Metal Albums.

In honor of the Fourth of July, I thought it couldn’t hurt to add a little patriotic flare to THKD by celebrating my 10 favorite American metal albums. Remember, “favorite” doesn’t necessarily mean “best”, but I do believe that all of these albums are quintessential slabs of metallic americana. So, light your roman candles, fire up the barbecue, crack open a couple cold ones and enjoy THKD’s list of yankee metal dandies (in no particular order).

1. Metallica – Ride the Lightning (Elekta, 1984)
Ride the Lightning is easily Metallica’s finest hour. The youthful exuberance of Kill ‘Em All collides with the progressive tendencies that would come into bloom more fully on Master of Puppets and And Justice for All. This makes for an album that’s as savage as it is cerebral, which is also a pretty good way of describing the land of the free.

2. Death – Scream Blood Gore (Combat, 1987)
Scream Bloody Gore is arguably death metal ground zero, and Chuck Schuldiner was a true American metal genius, even in the early stages of his beloved band. Death would go on to mix DM with cosmic prog on albums such as Human and The Sound of Perseverance, but Scream Bloody Gore set the gory gold standard by which all USDM should be judged.

3. Ludicra – Fex Urbis Lex Orbis (Alternative Tentacles, 2006)
In 2006, I lived in California for six months, working as a publicity intern at Metal Blade Records in exchange for college credit. Fex Urbis Lex Orbis was the soundtrack to the loneliness and frustration I often felt during that time. The Bay Area band’s gritty, urban take on black metal encapsulates an “alone in the crowd” feeling that is distinctly American.

4. Today is the Day – Temple of the Morning Star (Relapse, 1997)
Whenever I listen to Steve Austin’s power trio from Hell, my mind is taken to the darkest recesses of American popular culture, where the likes of Jim Jones and Charles Manson reside. Temple of the Morning Star dredges the diseased underbelly of the United States and drags all the scum and sleaze kicking and screaming out into the open for all to see.

5. Corrosion of Conformity – Wiseblood (Columbia, 1996)
COC’s Wiseblood is all southern-fried stomp and dirt-caked riffage. This is music to be blasted at top volume in souped up ’69 Chevelles burning down the highway. Music for Budweiser and bong hit binges during long, boiling hot summers. Simply put, metal just doesn’t get any more American than this.

6. Slayer – South of Heaven (Def American, 1988)
Although the metal masses often cite Reign in Blood as Slayer’s finest hour, I’ll put my money on South of Heaven any day of the week. Look no further than “Mandatory Suicide”, “Live Undead” and the title track for undeniable proof that this is a snapshot of King, Hanneman, Araya and Lombardo at their peak. By taking a more varied approach to songwriting and tempo, Slayer established themselves as an American metal institution on their fourth album.

7. Danzig – II: Lucifuge (Def American, 1990)
With Lucifuge, Glenn Danzig perfected his diabolical master plan to spot-weld delta blues, fifties rock and goth onto a heavy metal framework. The results are often spectacular throughout the album, but “Devil’s Plaything” is without question the track where it all comes together for GD, cementing his status as an American metal icon.

8. Grand Belial’s Key – Judeobeast Assassination (Moribund, 2011)
An album this filthy, fucked and politically incorrect could have only come from an American band. GBK’s garage-y take on black metal is bolstered by excellent musicianship and a keen ear for songwriting, something you wouldn’t expect from a band that writes pure poetry such as “Christ, faggot, fondler of manhood”. Members of GBK also do time in the equally mighty/dodgy Arghoslent.

9. Pentagram – Relentless (Peaceville, 1993)
Relentless is a reissue of Pentagram’s self-released debut, marking the first time that the work of national treasure Bobby Liebling was exposed to a larger audience. It has been said that Pentagram should’ve been America’s answer to Black Sabbath, and Relentless proves that Liebling and Co. had the songs, the riffs and the swagger to give the Sabs a run for their money.

10. Megadeth – Rust in Peace (Capitol, 1990)
Rust in Peace is an exercise in precision and craftsmanship. Quite possibly the perfect thrash album, Dave Mustaine and Marty Friedman proved themselves to be the most devastating guitar tandem to ever come out of the American metal scene on shred-fests like “Holy Wars”, “Hangar 18” and “Lucretia”. One can’t help but wonder if Metallica’s decision to simplify their approach (on 1991’s Metallica) one year later had anything to do with realizing that they were hopelessly out-gunned by their former lead guitarist.

I’m sure there are lots more I could list, but in the name of space concerns and short attention spans, I’ll stop here. So, what are your favorite American metal albums?


9 thoughts on “THKD’s 10 Favorite American Metal Albums.

  1. Pingback: THKD’s Top 100 Metal Albums #11: Danzig – Danzig II: Lucifuge (Def American, 1990) | that's how kids die.

  2. >What would we call those bands that sort of straddled the line between death metal and thrash? Proto-death?

    I have no idea. I mean…in retrospect that’s what they were but that doesn’t sound brutal enough… 🙂 And “deaththrash” doesn’t really fit either. RIB, Necrovore, Possessed, Dark Angel…uh, there were others…


  3. @Danhammer – yeah, I was tempted to put RIB on there, but I’ve always had a soft spot for South of Heaven, it’s been my favorite Slayer album for a long time now, so I just had to go with that one… and “ten thousand riffs up yer ass” just might be the best description of Rust in Peace that I’ve ever read.

    @DGG – I’ve loved Wiseblood since it came out, to be honest it is probably one of my all time favorite metal albums… there is just something about it that’s tough to put a finger on. I’ve always loved Pepper Keenan’s playing and vocals.

    @UA – that Ludicra album is my favorite thing they’ve done. What would we call those bands that sort of straddled the line between death metal and thrash? Proto-death?

    @Brandon – What’s wrong with a little Wiseblood? Not liking that album is fightin’ words where I come from! j/k But in all seriousness, I would agree that Clutch scratches a very similar itch to Pepper-era COC, and Wiseblood is a nostalgia/personal experience album for me!

    @Dante – Yes, Iced Earth do love ‘Mericuh… but do they love it as much as Manowar?!


  4. I would have like to see Iced Earth on here, not because they’re good — rather because they probably like America more than anyone.


  5. Great list! I was a bit shocked to see Wiseblood on here, but after thinking about it for a while I can definitely see why you included it. Personally for that hot summer day feeling I would probably have to swap it out with Clutch’s self titled release. But of course that’s because of personal experience and nostalgia 🙂 Go Uhmerrikuh!


  6. Grabbing that Ludicra LP. I’ve never heard it…

    There should be a name for that microgenre in between thrash and death metal…I mean in terms of the history. RIB fits in there for me…there are a number of others.


  7. Great list…I especially agree with you on “Wiseblood,” which I spun yesterday in honor of the holiday, even before seeing this. Pepper’s voice and the lyrics (title track, “Long Whip/Big America,” “The Snake Has No Head”) give the album a distinct American feel.


  8. That’s one hell of a list. Although I agree that “South of Heaven” is the better album, I still think “Reign in Blood” noses it out on a list like this because it’s so iconic, so fast, so goddamned pissed off and relentless about destroying everything in its path.

    And yeah, I’ll totally join the “Rust in Peace”-is-the-best-thrash-album-of-all-time bandwagon. Ten thousand riffs up yer ass.


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