Oodles of Brutals X: In Space, No One Can Hear You Slam

Well friends, it’s been nearly eight months since the last Oodles of Brutals, which means we’re long overdue for another deep dive into the world of all things brutal and slamming.  So without further ado…

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Gorepot – Asian Stoned Effect (Brutal Mind, 2018)

Slam is one of the most over-the-top subgenres of metal and they don’t come any more absurdly OTT than Taipei City, Taiwan’s Gorepot.  The brainchild of ubiquitous slam god Larry Wang (Facelift Deformation, Fatuous Rump, Guttural Corpora Cavernosa, Maggot Colony, Umbilical Asphyxia, Coprocephalic, Fat Tub of Lard Records), Asian Stoned Effect is the band’s seventh album and it’s also one of the most ri-goddamn-diculous slamming death metal albums you’re ever going to hear.

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Fetor / Crepitation – Onset of Horrendosity (Deformeathing Production, 2019)

Split releases can be difficult to review due to the competitive vibe they give off.  Although it’s likely not the intention, it always feels like a battle between the bands involved.  Indeed, Onset of Horrendosity is a slamming brutal death metal death match between two up-and-coming acts, Fetor and Crepitation, and both are young, hungry contenders.  Which band will put the slam smackdown on the other and come out on top?

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Whiskey & Funeral – Jesus is Guilty (Tribulacion Productions / Sevared Records, 2018)

From Hour of Penance to Devangelic and beyond, Italy is one of those countries that’s just ridiculously good at brutal death metal.  Perhaps it has something to do with having the Vatican skulking around in their collective backyard, but whatever the case, the country shaped like a boot continues to kill it year in and year out.

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Gorevent – In the Face of… (Abnormal Exaggeration Records, 2018)

In just under fifteen years, Niigata City, Japan’s Gorevent have become the country’s preeminent purveyors of slamming brutal death metal. Their mission to distill the subgenre down to its purest form continues on their fourth album, In the Face of… and the result is one of their finest releases to date.

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Luck of the Corpse: THKD’s top 5 albums featuring actual cadavers on their covers

If there’s one thing Metal Twitter™®© is good for, it’s manufacturing non-controversies within the scene.  The latest of these flare-ups occurred when Philly-based death metallers Pissgrave unveiled the cover art for their new album Posthumous Humiliation, set to be released March 1st via Profound Lore.

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THKD’s Top 10 Metal Albums of 2018 (print edition)

With the dawn of the THKD YouTube channel, I decided to do something a little different this year. I’ve split my year end top 20 metal albums list in two; half of them can be found below, the other half on YouTube.  So, once you’re done reading this list, head on over to THKD TV and check out the rest of the list… if you don’t mind watching a semi-drunken nerd rant and rave about heavy metal for thirty minutes. But enough of my rambling; as I’ve been saying for almost a decade now, long-winded intros are bullshit.  Let’s get on with it.

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