Slam is one of the most over-the-top subgenres of metal and they don’t come any more absurdly OTT than Taipei City, Taiwan’s Gorepot. The brainchild of ubiquitous slam god Larry Wang (Facelift Deformation, Fatuous Rump, Guttural Corpora Cavernosa, Maggot Colony, Umbilical Asphyxia, Coprocephalic, Fat Tub of Lard Records), Asian Stoned Effect is the band’s seventh album and it’s also one of the most ri-goddamn-diculous slamming death metal albums you’re ever going to hear.
North of Hell has been a long time coming for Japanese goregrinders Butcher ABC. Formed in 1994 and leaving a bloody trail of demos, EPs and splits in their wake, it took the band over twenty years to finally release a full length. But was it worth the wait? Thankfully, it only takes a few listens to North of Hell to determine that the answer is a resounding “yes.”
Split releases can be difficult to review due to the competitive vibe they give off. Although it’s likely not the intention, it always feels like a battle between the bands involved. Indeed, Onset of Horrendosity is a slamming brutal death metal death match between two up-and-coming acts, Fetor and Crepitation, and both are young, hungry contenders. Which band will put the slam smackdown on the other and come out on top?
From Hour of Penance to Devangelic and beyond, Italy is one of those countries that’s just ridiculously good at brutal death metal. Perhaps it has something to do with having the Vatican skulking around in their collective backyard, but whatever the case, the country shaped like a boot continues to kill it year in and year out.
WARNING: This is not one of my usual videos of me sitting in front of the camera and talking. This is a 5 minute “micro documentary” celebrating twenty-five years of Merzbow’s harsh noise masterpiece, Venereology.
Listen and purchase: https://merzbow.bandcamp.com/
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In just under fifteen years, Niigata City, Japan’s Gorevent have become the country’s preeminent purveyors of slamming brutal death metal. Their mission to distill the subgenre down to its purest form continues on their fourth album, In the Face of… and the result is one of their finest releases to date.
If there’s one thing Metal Twitter™®© is good for, it’s manufacturing non-controversies within the scene. The latest of these flare-ups occurred when Philly-based death metallers Pissgrave unveiled the cover art for their new album Posthumous Humiliation, set to be released March 1st via Profound Lore.