THKD’s year end extravaganza will be published on Monday, December 17th at midnight both here and over at the THKD YouTube channel. But as a prelude to the madness that’s about to be unleashed, I’ve decided to list out five noteworthy albums that were just a hair shy of making the cut. So without further ado and in no particular order…
Has it really only been a month and a half since I last posted one of these? That’s got to be a new record. Whatever the case, we’ve got a lot of crucial slamz and mandatory brutality to cover this time around, from the nearby Bay Area all the way to the Land Down Under, so without further ado, let’s dig in…
Good melodic death metal is in painfully short supply these days. Sure, there are a small handful of stalwart bands that continue to soldier on, but to say that the subgenre could stand to be infused with some fresh blood is an understatement. Fortunately, Ye Goat-Herd Gods have emerged from the frozen Canadian wastes to rescue us from the dearth of new and interesting melodeath sounds with their mighty second album, Ashes Shall Be Made of Them.
Hailing from Edmonton Alberta, Canada, The Black Sorcery play a pummeling brand of bestial black death metal that keeps with their home country’s unrivaled tradition of bringing the pain when it comes to the style (see also: Blasphemy, Revenge, Conqueror, etc), yet they also do a great deal to differentiate themselves from the hordes of bands that owe their careers to the seemingly bottomless well of inspiration that is Fallen Angel of Doom.
I’m sure some of you have noticed that I’ve been doing less writing of late and focusing more on making YouTube videos. I’ll get back to writing eventually, but I’ve decided that I need to challenge myself with a new medium, as well as expand the THKD empire beyond blogging. It’s been a fun, refreshing change of pace and I hope you’ll come along on this journey with me while I try something new for a while.
With 2018 beginning to wind down, I’ve started to reflect upon all the great releases I’ve enjoyed throughout the year. This in turn lead me to compiling a massive playlist on Spotify; it’s about 99% metal, but there are also a few non-metal surprises lurking around in there.
As I was preparing to review this album, something occurred to me; In nearly ten years of THKD I’ve never once written about Amorphis (I have no idea why). It also occurred to me that many readers will probably be surprised to find out that I unabashedly love this band, given that their music is pretty much the antithesis of so much of the other metal I love; it’s proggy, folky, pristinely produced and at times poppy as all hell, yet somehow Amorphis makes all these elements that I’m not always such a big fan of (at least not when it comes to metal) palatable, nay downright tasty.