Those of you that follow the brutal/slam death metal scene are likely well aware of the fact that Asia has been positively killing it for the last few years. While many of the continent’s most celebrated acts hail from Japan (Vomit Remnants, Gorevent, Infernal Revulsion, Medic Vomiting Pus, etc), neighboring China is no slouch either, as evidenced by Deformity of Human Consciousness, the second album from Tianjin’s The Dark Prison Massacre.
I had been looking forward to writing about Internal Bleeding’s new single “Final Justice,” but given recent events, I now find myself doing so with a heavy heart. On April 20, 2017, IB’s drummer and founding member William Tolley died while serving his community, battling a two alarm blaze as a fourteen year veteran of the Fire Department of New York, who had previously assisted with the September 11, 2001 rescue efforts as a volunteer fire fighter. “Final Justice” is to my knowledge his last recorded work with the band.
Ever since releasing the underrated classic Supreme Entity back in 1999, Japanese brutal death metallers Vomit Remnants have been something of an on again / off again band; Metal Archives lists their years active as 1997-2001, 2001-2005, 2015-present. This might explain why it took them nearly two decades to record and release a follow-up in the form of this year’s Hyper Groove Brutality, but rest assured it was more than worth the wait.
Six Feet Under, the death metal band that critics love to hate. I’ve never really understood why all the cool kid metal writers are so intent on using SFU as a punching bag, especially when there are far more worthy targets scattered across the metal landscape.
I had an intro written and ready to go, reflecting on all the good and bad that heavy music in 2015 had to offer (mostly bad), but then I remembered that no one reads these long-winded, pointless intros. So, without further ado, here are eleven musical things (not just albums) that grabbed a hold of my crank and kept on yanking in 2015…
“Mature” probably isn’t the first word that comes to mind when one thinks of brutal death metal, hell it probably isn’t the five-hundredth word one thinks of. But I’ll be damned if Parables of Umbral Transcendence, the debut full-length from NY/FL-based project Swine Overlord isn’t a shockingly mature slab of BDM. The band has largely shed the slam leanings and cartoonish visual imagery of their earlier recordings in favor of a more pure brutal death metal sound accompanied by science fiction-influenced artwork, and as a result have released one of the genre’s best albums of 2014.
Whenever I want to look beyond the promo pile for new music, I inevitably head for Bandcamp. The site is a veritable world of wonders, a treasure trove of music from across the genre spectrum just waiting to be discovered, and best of all a ton of it is free. The problem is, I discover so much good stuff every time I go on a trawl, it’s nearly impossible for me to write about all of it, or at least, not in a full-on 400 to 600 word review format. So, I decided to start up a semi-regular feature highlighting my favorite Bandcamp discoveries, some new, some old, some great, some absurd, some evil as hell. Without further ado, let’s uh, plunge into the first edition of Bandcamp Band Crap.