Merzbow – Venereology reissue/remaster bonus tracks (Relapse Records, 2019)

A few years back, I wrote a piece about Release Entertainment, the long lost sub-label of Relapse Records dedicated to experimental sounds of all kinds, from dark ambient to noise to death industrial.  One of the the most extreme albums to come out under the Release banner was Merzbow’s Venereology, a salvo of pure, corrosive sound that would serve as a gateway for many metalheads (including yours truly) into the world of harsh noise.  I previously bemoaned the fact that Relapse seems to have no interest in preserving the legacy of Release Entertainment, but perhaps they’ve come to their senses at least somewhat, because in honor of Venereology‘s twenty-fifth anniversary, they’re giving the album a rather lavish-looking vinyl reissue, replete with remastered sound and re-touched artwork, as well as three previously unreleased bonus tracks.

Continue reading “Merzbow – Venereology reissue/remaster bonus tracks (Relapse Records, 2019)”

Advertisements

25 Years of Merzbow’s Venereology Micro Documentary

WARNING: This is not one of my usual videos of me sitting in front of the camera and talking. This is a 5 minute “micro documentary” celebrating twenty-five years of Merzbow’s harsh noise masterpiece, Venereology.

Listen and purchase: https://merzbow.bandcamp.com/

FAIR USE NOTICE: This video contains copyrighted material the use of which has not always been specifically authorized by the copyright owner.  We believe this constitutes a fair use of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed without profit to those who have expressed a prior interest in receiving the included information for review, research and educational purposes.

Luck of the Corpse: THKD’s top 5 albums featuring actual cadavers on their covers

If there’s one thing Metal Twitter™®© is good for, it’s manufacturing non-controversies within the scene.  The latest of these flare-ups occurred when Philly-based death metallers Pissgrave unveiled the cover art for their new album Posthumous Humiliation, set to be released March 1st via Profound Lore.

Continue reading “Luck of the Corpse: THKD’s top 5 albums featuring actual cadavers on their covers”

Your Friendly Reminder that Glenn Danzig is the OG of Dungeon Synth

One of the more interesting developments in the underground over the past half-decade or so is the renewed interest in dungeon synth.  This was no doubt brought on by the rise of Dutch practitioner Old Tower, who released the excellent Stellary Wisdom this year on Profound Lore, as well as the recent reissues of Mortiis’ early works, coupled with his recent tours focused strictly on this “era one” material as opposed to his current industrial rock/metal incarnation.

Continue reading “Your Friendly Reminder that Glenn Danzig is the OG of Dungeon Synth”

YouTube Channel Madness!

I’m sure some of you have noticed that I’ve been doing less writing of late and focusing more on making YouTube videos.  I’ll get back to writing eventually, but I’ve decided that I need to challenge myself with a new medium, as well as expand the THKD empire beyond blogging.  It’s been a fun, refreshing change of pace and I hope you’ll come along on this journey with me while I try something new for a while.

Continue reading “YouTube Channel Madness!”

The Smashing Pumpkins – Mellon Collie and the Infinite Sadness (Virgin, 1995)

My wife recently surprised me with tickets to the Smashing Pumpkins reunion tour, and as such I’ve naturally been compelled to revisit their catalog.  For the longest time I’ve proclaimed that the band’s 1993 breakthrough Siamese Dream was my favorite Pumpkins album, but right now I’m thinking it might actually be Mellon Collie and the Infinite Sadness.

Continue reading “The Smashing Pumpkins – Mellon Collie and the Infinite Sadness (Virgin, 1995)”

Harm’s Way – Posthuman (Metal Blade Records, 2018)

I wasn’t terribly familiar with Harm’s Way prior to getting the promo for Posthuman, but I was somewhat aware of the buzz their previous album Rust had garnered, so I decided to give them a try.  I was pleasantly surprised to find that Posthuman is a burly-as-fuck collection of non-stop mosh riffs mixed with electronic elements that wouldn’t be out of place on a late-nineties Godflesh record.  It’s an odd combination to be sure, but I’ll be damned if Harm’s Way doesn’t make it work.

Continue reading “Harm’s Way – Posthuman (Metal Blade Records, 2018)”