One of the things I miss the most about the nineties is the willingness major record labels had to release totally off-the-wall shit. From Reprise unleashing the Boredoms’ utterly mind-fucking Pop Tatari on the unsuspecting masses to Columbia striking a deal to market and distribute Earache’s catalog full of ear-shredding death metal and grindcore records, major labels in the nineties exhibited a bizarre fearlessness that was oftentimes downright shocking, flying in the face of the notion that they were corporate, soulless, blood-sucking musical widget factories where underground bands went to sell out, get screwed over and die.
A few years back, I wrote a piece about Release Entertainment, the long lost sub-label of Relapse Records dedicated to experimental sounds of all kinds, from dark ambient to noise to death industrial. One of the the most extreme albums to come out under the Release banner was Merzbow’s Venereology, a salvo of pure, corrosive sound that would serve as a gateway for many metalheads (including yours truly) into the world of harsh noise. I previously bemoaned the fact that Relapse seems to have no interest in preserving the legacy of Release Entertainment, but perhaps they’ve come to their senses at least somewhat, because in honor of Venereology‘s twenty-fifth anniversary, they’re giving the album a rather lavish-looking vinyl reissue, replete with remastered sound and re-touched artwork, as well as three previously unreleased bonus tracks.
WARNING: This is not one of my usual videos of me sitting in front of the camera and talking. This is a 5 minute “micro documentary” celebrating twenty-five years of Merzbow’s harsh noise masterpiece, Venereology.
Listen and purchase: https://merzbow.bandcamp.com/
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If there’s one thing Metal Twitter™®© is good for, it’s manufacturing non-controversies within the scene. The latest of these flare-ups occurred when Philly-based death metallers Pissgrave unveiled the cover art for their new album Posthumous Humiliation, set to be released March 1st via Profound Lore.
One of the more interesting developments in the underground over the past half-decade or so is the renewed interest in dungeon synth. This was no doubt brought on by the rise of Dutch practitioner Old Tower, who released the excellent Stellary Wisdom this year on Profound Lore, as well as the recent reissues of Mortiis’ early works, coupled with his recent tours focused strictly on this “era one” material as opposed to his current industrial rock/metal incarnation.
I’m sure some of you have noticed that I’ve been doing less writing of late and focusing more on making YouTube videos. I’ll get back to writing eventually, but I’ve decided that I need to challenge myself with a new medium, as well as expand the THKD empire beyond blogging. It’s been a fun, refreshing change of pace and I hope you’ll come along on this journey with me while I try something new for a while.
My wife recently surprised me with tickets to the Smashing Pumpkins reunion tour, and as such I’ve naturally been compelled to revisit their catalog. For the longest time I’ve proclaimed that the band’s 1993 breakthrough Siamese Dream was my favorite Pumpkins album, but right now I’m thinking it might actually be Mellon Collie and the Infinite Sadness.