I can trace my love of all things brutal, blackened and bestial to one album, and that album is Black Witchery’s Desecration of the Holy Kingdom. Sure, I’d already heard Blasphemy when I got my grubby little mitts on it back in 2001, but as nasty as Fallen Angel of Doom was, it didn’t quite grab me by the balls and rip my fuckin’ ears off the same way that Black Witchery’s debut did.
Sacramento’s bestial black/death masters Defecrator recently went on indefinite hiatus, but from their ashes an uglier, more barbaric entity has risen in the form of Abhorrency. The band just posted their debut demo on Bandcamp earlier this month and rest assured it’s some seriously gnarly black shit.
Followers of the mysterious Texan black metal cult known as Nyogthaeblisz have been anticipating their debut full length ever since it was first announced several years ago; it had gotten to the point where many were questioning whether or not it would ever see the light of day, especially given the lack of regular updates and the “controversy” that has swirled around the band in the intervening years. But on December 27, 2019 the duo at last dropped the sickening slab of extreme noise terror that is Abrahamic Godhead Besieged by Adversarial Usurpation.
Join Mrs. THKD and I on YouTube as we each count down five of our favorite albums of the decade! It’s a celebration!
Born on September 12th, 1970 in Wolverhampton, UK, guitarist/vocalist Alex Newport is responsible for some of the most unique and interesting heavy music of the 1990s and early 2000s. Although his discography is far from vast, what it lacks in quantity it more than makes up for in quality, encompassing metal, hardcore, noise rock, industrial and beyond. As a producer, mixer and engineer he went on to work with popular acts such as Death Cab For Cutie, At The Drive-In and The Mars Volta, but there was a time when Newport was an underground innovator, responsible for some of my favorite heavy music of all time. So without further ado, let’s take a quick look at the discography of the man who convinced me to go on a creep diet and never look back…
Split releases can be difficult to review due to the competitive vibe they give off. Although it’s likely not the intention, it always feels like a battle between the bands involved. Indeed, Onset of Horrendosity is a slamming brutal death metal death match between two up-and-coming acts, Fetor and Crepitation, and both are young, hungry contenders. Which band will put the slam smackdown on the other and come out on top?
From Hour of Penance to Devangelic and beyond, Italy is one of those countries that’s just ridiculously good at brutal death metal. Perhaps it has something to do with having the Vatican skulking around in their collective backyard, but whatever the case, the country shaped like a boot continues to kill it year in and year out.