Listen to: WHAMMER

In an effort to look beyond the digital promo pile, I recently put out a call on social media for any bands or labels that were interested in coverage to get in touch.  I mostly heard crickets, but I was also lucky enough to hear from Whammer, a new “blackened crust grind” band from Colorado, who sound lean, mean and pissed the fuck off on the demo tracks they graciously sent me to check out.

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YouTube Channel Madness!

I’m sure some of you have noticed that I’ve been doing less writing of late and focusing more on making YouTube videos.  I’ll get back to writing eventually, but I’ve decided that I need to challenge myself with a new medium, as well as expand the THKD empire beyond blogging.  It’s been a fun, refreshing change of pace and I hope you’ll come along on this journey with me while I try something new for a while.

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THKD 2018 playlist on Spotify

With 2018 beginning to wind down, I’ve started to reflect upon all the great releases I’ve enjoyed throughout the year.  This in turn lead me to compiling a massive playlist on Spotify; it’s about 99% metal, but there are also a few non-metal surprises lurking around in there.

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The Creatures From The Tomb – The Terrifying Menace (Rotten Roll Rex, 2018)

What’s this?  A goregrind band that doesn’t sing about gore?  Germany’s The Creatures From The Tomb (henceforth referred to as TCFTT) play groovy goregrind in the vein of Cock and Ball Torture, The Day Everything Became Nothing and Cliteater, but their songs are not about zombies or hacking people up or having sex with corpses.  Instead, TCFTT mine their subject matter from classic black and white horror films, such as The Phantom of the Opera and Creature from the Black Lagoon.

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Birdflesh – Night of the Ultimate Mosh (Everlasting Spew Records, reissue 2018)

When I was in college, there were a few instances where I was beyond dirt poor.  Back then, people actually still gave a shit about CDs, so painful as it was, I’d sell off chunks of my music collection so that I could like, pay my bills and eat ‘n’ shit.  One of the CDs I sold was an original pressing of Birdflesh’s Night of the Ultimate Mosh on Razorback Recordings.

That was really stupid of me.

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Oodles of Brutals IV: Brutal-Fu, da Return

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Holy shit you guys, I haven’t done one of these brutal/tech/slam death metal roundup features since 2014!  Wasn’t this supposed to be a semi-regular feature?!  I guess 2014 was also the year that I realized I’m far too disorganized/scatterbrained to pull off regular features, so they’re more like whenever-I-feel-like-it features and apparently I haven’t felt like it in almost two years.

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