Gorevent – In the Face of… (Abnormal Exaggeration Records, 2018)

In just under fifteen years, Niigata City, Japan’s Gorevent have become the country’s preeminent purveyors of slamming brutal death metal. Their mission to distill the subgenre down to its purest form continues on their fourth album, In the Face of… and the result is one of their finest releases to date.

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Prelude to Year End Madness: 5 Honorable Mentions

THKD’s year end extravaganza will be published on Monday, December 17th at midnight both here and over at the THKD YouTube channel.  But as a prelude to the madness that’s about to be unleashed, I’ve decided to list out five noteworthy albums that were just a hair shy of making the cut.  So without further ado and in no particular order…

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Oodles of Brutals IX: Slammath, Bloody Slammath

Has it really only been a month and a half since I last posted one of these?  That’s got to be a new record.  Whatever the case, we’ve got a lot of crucial slamz and mandatory brutality to cover this time around, from the nearby Bay Area all the way to the Land Down Under, so without further ado, let’s dig in…

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Oodles of Brutals VII: Fear of a Slam Planet

Bloody hell, has it really been over a year since the last installment of OOB? Seems a little crazy since brutal death metal in all its wondrous guises has long been a major part of THKD’s bread and butter. But rather than lament the fact that these features are few and far between due to the laziness of yours truly over the past few years, let’s delve into what’s new and bludgeoning in the world of brutal death metal, slam, etc…

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Visions from the Fractal Generator

5V3A5060As Isolation Grind continues to evolve and grow, I’m hoping to do more “round-up” style pieces such as the one you’re about to read.  The reasons for this are many, but the main ones are as follows:

1. I hope to be able to cover more ground.  Let’s face it, a metric fuck-ton of metal albums get released each year, and my lazy ass covers only a small handful of them, meaning that year after year there are tons of albums I’d like to cover that slip through the cracks.  Round-up style pieces seem like a pretty good option for spreading the love and giving more worthy albums some digital ink.

2. The more I listen to metal and write this blog, the more I’m starting to realize that not every album needs a five hundred word review.  It’s entirely possible that I’m running out of shit to say about metal, but I honestly think a lengthy, in-depth review is a bit of a time-waster when you can just go listen to the damn album yourselves with a few mouse clicks and form your own opinion.

3. I discover and re-discover old shit just as often as I listen to new shit.  I often want to write about the older music I’m listening to, but not every used CD score or re-discovery of an old album is worthy of a Top 100 Albums post.  I’m hoping that this will give me the opportunity to talk about older albums, be they universally recognized classics or hidden gems on a regular basis.

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Party Cannon – Partied in Half (Gore House Productions, 2014)

GHP022 Party Cannon - Partied In HalfBefore I ever heard even a single note from Scotland’s Party Cannon, I loved their shtick.  With their Toys ‘R’ Us-esque logo and song titles like “There’s a Reason You’re Single” and “Tyrone, You Put that Sugar Down,” everything about them seemed to fly in the face of slam’s established gore-drenched norms, and it was refreshing to see a band poking fun at the genre from within.  One might argue that this approach could cause them to be labelled a “joke band,” but it only takes a few listens to Party Cannon’s debut EP Partied in Half to know that these Scotsmen are dead serious about their slam.

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A word on brutality.

vulvectomy

Brutal death metal bands often get accused of promoting misogyny and violence.  I was thinking about this the other day while listening to Abusing Dismembered Beauties, the third and most recent album from Italian slammers Vulvectomy.  Here I am, enjoying an album adorned with cover art that features a variety of gruesomely murdered/mutilated women and song titles such as “Deformed Tits Collection” and “Orgasmic Sensation Through Fecal Ingestion.”  I guess at this point my fondness for slam and brutal death metal is no secret, but surely many fellow metalheads would call it in extremely poor taste, ignorant, hateful, misogynistic or some combination thereof.

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