It’s been just a little over a month since the last Oddles of Brutals; that has to be some sort of record. 2020 continues to be a banner year for all sorts of sonic brutality, so without further ado, let’s take a look at another batch of brutal, slamming and technical death metal marvels.
We’re just a little past the first quarter mark for 2020, but metal fans have already been treated to a deluge of quality brutal death metal; from the mind-bending technicality of Odious Mortem, to the crushing slams of Engutturalment Cephaloslamectomy, to the unmitigated violence of Unmerciful, it’s shaping up to be a hell of a year. But sitting at the top of this monolithic BDM heap is Spawn of Almighty Essence, the sophomore album from Ukrainian skull-smashers Schizogen.
What is Architectural Genocide? Is it when someone decides to round up a bunch of architects and off them en masse? Is it when a group of buildings becomes sentient and decides to wipe out another group of buildings for no apparent reason? I don’t have a fucking clue, but I do know that Houston, TX death metallers Architectural Genocide have a wicked good debut on their hands in the form of Cordyceptic Anthropomorph (whew, what a mouthful!) which was released back in mid-March by that ever-reliable bastion of brutality known as Comatose Music.
Japan’s Gorevent are the undisputed heavyweight champions of minimalist slam. Over the course of a decade and a half, the band have successfully stripped the sub-subgenre of slamming brutal death metal down to its molten core; no technical flourishes, no guitar solos, no bullshit, just slam in its purest, grooviest form. Fate is a testament to Gorevent’s continued dedication to keeping things as boneheaded as possible, and there ain’t a damn thing wrong with it.
Well friends, it’s been nearly eight months since the last Oodles of Brutals, which means we’re long overdue for another deep dive into the world of all things brutal and slamming. So without further ado…
Slam is one of the most over-the-top subgenres of metal and they don’t come any more absurdly OTT than Taipei City, Taiwan’s Gorepot. The brainchild of ubiquitous slam god Larry Wang (Facelift Deformation, Fatuous Rump, Guttural Corpora Cavernosa, Maggot Colony, Umbilical Asphyxia, Coprocephalic, Fat Tub of Lard Records), Asian Stoned Effect is the band’s seventh album and it’s also one of the most ri-goddamn-diculous slamming death metal albums you’re ever going to hear.