Join Mrs. THKD and I on YouTube as we each count down five of our favorite albums of the decade! It’s a celebration!
Born on September 12th, 1970 in Wolverhampton, UK, guitarist/vocalist Alex Newport is responsible for some of the most unique and interesting heavy music of the 1990s and early 2000s. Although his discography is far from vast, what it lacks in quantity it more than makes up for in quality, encompassing metal, hardcore, noise rock, industrial and beyond. As a producer, mixer and engineer he went on to work with popular acts such as Death Cab For Cutie, At The Drive-In and The Mars Volta, but there was a time when Newport was an underground innovator, responsible for some of my favorite heavy music of all time. So without further ado, let’s take a quick look at the discography of the man who convinced me to go on a creep diet and never look back…
In an effort to look beyond the digital promo pile, I recently put out a call on social media for any bands or labels that were interested in coverage to get in touch. I mostly heard crickets, but I was also lucky enough to hear from Whammer, a new “blackened crust grind” band from Colorado, who sound lean, mean and pissed the fuck off on the demo tracks they graciously sent me to check out.
I’m sure some of you have noticed that I’ve been doing less writing of late and focusing more on making YouTube videos. I’ll get back to writing eventually, but I’ve decided that I need to challenge myself with a new medium, as well as expand the THKD empire beyond blogging. It’s been a fun, refreshing change of pace and I hope you’ll come along on this journey with me while I try something new for a while.
With 2018 beginning to wind down, I’ve started to reflect upon all the great releases I’ve enjoyed throughout the year. This in turn lead me to compiling a massive playlist on Spotify; it’s about 99% metal, but there are also a few non-metal surprises lurking around in there.
Where has this album been all my life? It isn’t every day that you find a record that seems to have been tailor made to satisfy your personal listening palette, but on Future Cult, St. Louis-based trio The Lion’s Daughter have managed to successfully combine a few of my most favorite things, namely pulverizing extreme metal and creepy, John Carpenter-esque synthesizers. I’m not quite sure yet if it’s as delightful a combination as chocolate and peanut butter, but they’re definitely two great tastes that taste great together.
Ah, the intro. This is the part where most writers attempt to regale you with an account of the myriad ups and downs they experienced throughout the year. However, most writers fail to understand one very important fundamental truth: no one cares. So without further ado and in no particular order, here’s a list of fifteen albums that grabbed a hold of my crank and kept on yankin’ in 2017…