From Hour of Penance to Devangelic and beyond, Italy is one of those countries that’s just ridiculously good at brutal death metal. Perhaps it has something to do with having the Vatican skulking around in their collective backyard, but whatever the case, the country shaped like a boot continues to kill it year in and year out.
WARNING: This is not one of my usual videos of me sitting in front of the camera and talking. This is a 5 minute “micro documentary” celebrating twenty-five years of Merzbow’s harsh noise masterpiece, Venereology.
Listen and purchase: https://merzbow.bandcamp.com/
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In just under fifteen years, Niigata City, Japan’s Gorevent have become the country’s preeminent purveyors of slamming brutal death metal. Their mission to distill the subgenre down to its purest form continues on their fourth album, In the Face of… and the result is one of their finest releases to date.
If there’s one thing Metal Twitter™®© is good for, it’s manufacturing non-controversies within the scene. The latest of these flare-ups occurred when Philly-based death metallers Pissgrave unveiled the cover art for their new album Posthumous Humiliation, set to be released March 1st via Profound Lore.
One of the more interesting developments in the underground over the past half-decade or so is the renewed interest in dungeon synth. This was no doubt brought on by the rise of Dutch practitioner Old Tower, who released the excellent Stellary Wisdom this year on Profound Lore, as well as the recent reissues of Mortiis’ early works, coupled with his recent tours focused strictly on this “era one” material as opposed to his current industrial rock/metal incarnation.
It’s been a minute since THKD featured any pro wrestling coverage, but with New Japan Pro Wrestling’s Wrestle Kingdom 13 just a few days away, I couldn’t resist the opportunity to take a closer look at what might just be one of the most stacked cards in the history of the sport. So without further ado, let’s break it down.
It’s been two long years since THKD featured any interviews; perhaps due to laziness on my own part, or perhaps because I hadn’t heard any new bands that intrigued me enough to seek them out for an interrogation. But from the moment I heard Ashes Shall Be Made of Them, the second album from Canadian death-dealers Ye Goat-Herd Gods, I knew that I wanted to dig deeper. Having struck up a correspondence with guitarist/songwriter Jeanie Keebler over the course of reviewing the album, I couldn’t resist the opportunity to pick her brain. She graciously agreed and in the process revealed to me a story that’s as much about staring death in the face and overcoming adversity as it about simply loving heavy metal. Read on as the mastermind behind Ye Goat opens up about the making of the album and beyond.