Harm’s Way – Posthuman (Metal Blade Records, 2018)

I wasn’t terribly familiar with Harm’s Way prior to getting the promo for Posthuman, but I was somewhat aware of the buzz their previous album Rust had garnered, so I decided to give them a try.  I was pleasantly surprised to find that Posthuman is a burly-as-fuck collection of non-stop mosh riffs mixed with electronic elements that wouldn’t be out of place on a late-nineties Godflesh record.  It’s an odd combination to be sure, but I’ll be damned if Harm’s Way doesn’t make it work.

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Morbid Philosophy: A Nuclear War Now! Productions Roundup

It’s only February, which means most labels are just starting to trickle out what will eventually become an unstoppable avalanche of new releases.  Not so for Nuclear War Now! Productions; the California-based label is in the process of unleashing a fifty megaton payload of heavy hitters that are poised to set the bar for underground black and death metal for the remainder of 2018.  Read on for THKD’s breakdown of this quartet of poser-slaughtering platters…

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Summoning – With Doom We Come (Napalm Records, 2018)

Back in my high school days, I ran a Dungeons & Dragons campaign for a small group of friends (because being obsessed with heavy metal, pro wrestling and Star Wars just wasn’t quite nerdy enough).  I wish I had known about legendary Austrian black metal duo Summoning back then, because they would’ve made one hell of a soundtrack for those late night RPG sessions.  Listening to their latest album, With Doom We Come, takes me back to those days of planning out adventures for those intrepid make believe heroes, filled as they were with orcs, kobolds and of course the occasional dragon.

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Urgehal – Aeons in Sodom (Season of Mist, 2016)

With the untimely passing of guitarist/vocalist/mastermind Trondr Nefas in 2012, it seemed unlikely that Norwegian black metal stalwarts Urgehal would ever be heard from again.  The surviving members of the band had other ideas however, and at long last we have a fitting epitaph for the band as well as a heartfelt tribute to their fallen frontman in the form of Aeons in Sodom, Urgehal’s seventh and final(?) full length.

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