Slam is one of the most over-the-top subgenres of metal and they don’t come any more absurdly OTT than Taipei City, Taiwan’s Gorepot. The brainchild of ubiquitous slam god Larry Wang (Facelift Deformation, Fatuous Rump, Guttural Corpora Cavernosa, Maggot Colony, Umbilical Asphyxia, Coprocephalic, Fat Tub of Lard Records), Asian Stoned Effect is the band’s seventh album and it’s also one of the most ri-goddamn-diculous slamming death metal albums you’re ever going to hear.
North of Hell has been a long time coming for Japanese goregrinders Butcher ABC. Formed in 1994 and leaving a bloody trail of demos, EPs and splits in their wake, it took the band over twenty years to finally release a full length. But was it worth the wait? Thankfully, it only takes a few listens to North of Hell to determine that the answer is a resounding “yes.”
I recently had the opportunity to check out The Godfathers of Hardcore, a documentary about NYHC legends Agnostic Front focusing on the lives of vocalist Roger Miret and guitarist Vinnie Stigma. Of course, you can’t talk about Agnostic Front without also talking about Madball, the band fronted by Miret’s younger half-brother Freddie Cricien, which began back in 1988 with a then twelve-year-old Cricien being backed by the members of Agnostic Front.
WARNING: This is not one of my usual videos of me sitting in front of the camera and talking. This is a 5 minute “micro documentary” celebrating twenty-five years of Merzbow’s harsh noise masterpiece, Venereology.
Listen and purchase: https://merzbow.bandcamp.com/
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If there’s one thing Metal Twitter™®© is good for, it’s manufacturing non-controversies within the scene. The latest of these flare-ups occurred when Philly-based death metallers Pissgrave unveiled the cover art for their new album Posthumous Humiliation, set to be released March 1st via Profound Lore.
I’m sure some of you have noticed that I’ve been doing less writing of late and focusing more on making YouTube videos. I’ll get back to writing eventually, but I’ve decided that I need to challenge myself with a new medium, as well as expand the THKD empire beyond blogging. It’s been a fun, refreshing change of pace and I hope you’ll come along on this journey with me while I try something new for a while.
Where has this album been all my life? It isn’t every day that you find a record that seems to have been tailor made to satisfy your personal listening palette, but on Future Cult, St. Louis-based trio The Lion’s Daughter have managed to successfully combine a few of my most favorite things, namely pulverizing extreme metal and creepy, John Carpenter-esque synthesizers. I’m not quite sure yet if it’s as delightful a combination as chocolate and peanut butter, but they’re definitely two great tastes that taste great together.