Luck of the Corpse: THKD’s top 5 albums featuring actual cadavers on their covers

If there’s one thing Metal Twitter™®© is good for, it’s manufacturing non-controversies within the scene.  The latest of these flare-ups occurred when Philly-based death metallers Pissgrave unveiled the cover art for their new album Posthumous Humiliation, set to be released March 1st via Profound Lore.

Continue reading “Luck of the Corpse: THKD’s top 5 albums featuring actual cadavers on their covers”


THKD’s Top 10 Metal Albums of 2018 (print edition)

With the dawn of the THKD YouTube channel, I decided to do something a little different this year. I’ve split my year end top 20 metal albums list in two; half of them can be found below, the other half on YouTube.  So, once you’re done reading this list, head on over to THKD TV and check out the rest of the list… if you don’t mind watching a semi-drunken nerd rant and rave about heavy metal for thirty minutes. But enough of my rambling; as I’ve been saying for almost a decade now, long-winded intros are bullshit.  Let’s get on with it.

Continue reading “THKD’s Top 10 Metal Albums of 2018 (print edition)”

Summoning – With Doom We Come (Napalm Records, 2018)

Back in my high school days, I ran a Dungeons & Dragons campaign for a small group of friends (because being obsessed with heavy metal, pro wrestling and Star Wars just wasn’t quite nerdy enough).  I wish I had known about legendary Austrian black metal duo Summoning back then, because they would’ve made one hell of a soundtrack for those late night RPG sessions.  Listening to their latest album, With Doom We Come, takes me back to those days of planning out adventures for those intrepid make believe heroes, filled as they were with orcs, kobolds and of course the occasional dragon.

Continue reading “Summoning – With Doom We Come (Napalm Records, 2018)”

Belphegor – Conjuring the Dead (Nuclear Blast, 2014)


If there is one thing metal critics hate, it’s consistency.  Satan forbid a band should find a sound that works for them (not to mention their fans) and stick with it, dooming their albums to forever be referred to in print as “more of the same” “a rehash” “nothing you haven’t heard before” etc, etc.  Luckily, I’m not a critic, and I love it when bands I enjoy give me exactly what I want. Such is the case with Austrian black/death heavyweights Belphegor, who’ve returned from an uncharacteristic three year silence with Conjuring the Dead.  To say that it’s everything you’d expect from a Belphegor record would probably be the understatement of the decade, but predictability isn’t much of a factor when what you’re predicted to do is kick ass.

Continue reading “Belphegor – Conjuring the Dead (Nuclear Blast, 2014)”

The Art of the Comeback


In the world of heavy metal circa 2013, making a comeback is harder than ever before. There are so many bands popping up out of the woodwork and so many albums being released on a weekly basis, that fans are faced with a constant avalanche of new product, which in turn means it’s difficult for any band to stand out from the pack, whether new kids on the block or crafty veterans. Furthermore, with the internet now being such an important part of spreading metal to the masses, things move so fast that even going a year without releasing new material feels like an eternity. But it is still possible for a band to rise up from the ashes of inactivity and recapture their rightful place amidst the metal pantheon, as the following trio of bands has proven.
Continue reading “The Art of the Comeback”

Interview: SUMMONING


While numerous bands (both heavy metal and otherwise) have drawn lyrical and conceptual inspiration from the works of JRR Tolkien over the years, few if any have managed to translate the late author’s work into music in as singular a fashion as Vienna’s legendary Summoning.  For two decades, the duo of Silenius and Protector have crafted fantastically immersive, utterly entrancing symphonies of synth-heavy, atmospheric black metal inspired by such timeless works as the The Hobbit, The Simarillion and The Lord of the Rings trilogy.  Over the course of seven full length albums and two EPs, they have transformed this rich literary mythology into a total musical environment that’s both regally breathtaking and strangely melancholic, carving out a style for themselves which is truly theirs and theirs alone, and in turn inspiring a rabidly devoted fanbase.

After over half a decade of silence, the masters of “Austrian epic black metal” are set to return with their best album yet in the form of Old Mornings Dawn, which will be unleashed on June 5th via Napalm Records.  Silenius and Protector were gracious enough to answer my questions via e-mail in advance of the album’s release.
Continue reading “Interview: SUMMONING”