Well friends, it’s been nearly eight months since the last Oodles of Brutals, which means we’re long overdue for another deep dive into the world of all things brutal and slamming. So without further ado…
Born of an unholy union between members of Killgasm and Gloriam Draconis, Sacramento black/death warlords Defecrator have been pillaging their way across the California metal underground since 2014. After nearly half a decade of existence, they have at last dropped the tactical nuke of an album that is Abortion of Humanity on the unsuspecting masses and make no mistake, this aggressive yet atmospheric slab of total annihilation was worth the wait and then some.
When I first saw the animated music video for “Blackened Call” I was not aware of Finnish artist J.P. Ahonen or his popular web comic Belzebubs. As such, I wasn’t quite sure what to make of a cartoon black metal band romping about the woods, “Call of the Wintermoon” style. I’m more than a bit ashamed to admit that my first thought was “Oh great, a corpse-painted version of Gorillaz,” yet there was something about the combination of quirky comic book visuals and frostbitten yet catchy and melodic black metal that made me want to see/hear more.
On November 16th, 2016, the online metal tabloid known as Metalsucks published their “manifesto” in which they very publicly announced “We will not tolerate racism, misogyny or any form of bigotry or hate speech” (because apparently it took them ten years of running a website, not to mention a good chunk of their adult lives to figure out these things are shitty).
Slam is one of the most over-the-top subgenres of metal and they don’t come any more absurdly OTT than Taipei City, Taiwan’s Gorepot. The brainchild of ubiquitous slam god Larry Wang (Facelift Deformation, Fatuous Rump, Guttural Corpora Cavernosa, Maggot Colony, Umbilical Asphyxia, Coprocephalic, Fat Tub of Lard Records), Asian Stoned Effect is the band’s seventh album and it’s also one of the most ri-goddamn-diculous slamming death metal albums you’re ever going to hear.
North of Hell has been a long time coming for Japanese goregrinders Butcher ABC. Formed in 1994 and leaving a bloody trail of demos, EPs and splits in their wake, it took the band over twenty years to finally release a full length. But was it worth the wait? Thankfully, it only takes a few listens to North of Hell to determine that the answer is a resounding “yes.”
Split releases can be difficult to review due to the competitive vibe they give off. Although it’s likely not the intention, it always feels like a battle between the bands involved. Indeed, Onset of Horrendosity is a slamming brutal death metal death match between two up-and-coming acts, Fetor and Crepitation, and both are young, hungry contenders. Which band will put the slam smackdown on the other and come out on top?