THKD’s Five Favorite Albums of the Decade Celebration!

Join Mrs. THKD and I on YouTube as we each count down five of our favorite albums of the decade! It’s a celebration!

Ceremonial Culling: THKD’s Top 5 Metal Albums of 2019

In terms of new releases, 2019 was pretty damn dire.  But in spite of the rampant mediocrity, I did manage to find a small handful of releases that were truly outstanding and can more than hold their own against the best this dying decade has to offer.  So without further ado and in no particular order, here are the five albums that stuck with me throughout the year…

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Oodles of Brutals X: In Space, No One Can Hear You Slam

Devourment for Relapse Records, January 17, 2019.

Well friends, it’s been nearly eight months since the last Oodles of Brutals, which means we’re long overdue for another deep dive into the world of all things brutal and slamming.  So without further ado…

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Defecrator – Abortion of Humanity (Drakkar Productions, 2019)

Born of an unholy union between members of Killgasm and Gloriam Draconis, Sacramento black/death warlords Defecrator have been pillaging their way across the California metal underground since 2014.  After nearly half a decade of existence, they have at last dropped the tactical nuke of an album that is Abortion of Humanity on the unsuspecting masses and make no mistake, this aggressive yet atmospheric slab of total annihilation was worth the wait and then some.

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Belzebubs – Pantheon of the Nightside Gods (Century Media, 2019)

When I first saw the animated music video for “Blackened Call” I was not aware of Finnish artist J.P. Ahonen or his popular web comic Belzebubs.  As such, I wasn’t quite sure what to make of a cartoon black metal band romping about the woods, “Call of the Wintermoon” style.  I’m more than a bit ashamed to admit that my first thought was “Oh great, a corpse-painted version of Gorillaz,” yet there was something about the combination of quirky comic book visuals and frostbitten yet catchy and melodic black metal that made me want to see/hear more.

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Clicks, Lies and Black Metal

On November 16th, 2016, the online metal tabloid known as Metalsucks published their “manifesto” in which they very publicly announced “We will not tolerate racism, misogyny or any form of bigotry or hate speech” (because apparently it took them ten years of running a website, not to mention a good chunk of their adult lives to figure out these things are shitty).

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Gorepot – Asian Stoned Effect (Brutal Mind, 2018)

Slam is one of the most over-the-top subgenres of metal and they don’t come any more absurdly OTT than Taipei City, Taiwan’s Gorepot.  The brainchild of ubiquitous slam god Larry Wang (Facelift Deformation, Fatuous Rump, Guttural Corpora Cavernosa, Maggot Colony, Umbilical Asphyxia, Coprocephalic, Fat Tub of Lard Records), Asian Stoned Effect is the band’s seventh album and it’s also one of the most ri-goddamn-diculous slamming death metal albums you’re ever going to hear.

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