25 Years of Merzbow’s Venereology Micro Documentary

WARNING: This is not one of my usual videos of me sitting in front of the camera and talking. This is a 5 minute “micro documentary” celebrating twenty-five years of Merzbow’s harsh noise masterpiece, Venereology.

Listen and purchase: https://merzbow.bandcamp.com/

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Luck of the Corpse: THKD’s top 5 albums featuring actual cadavers on their covers

If there’s one thing Metal Twitter™®© is good for, it’s manufacturing non-controversies within the scene.  The latest of these flare-ups occurred when Philly-based death metallers Pissgrave unveiled the cover art for their new album Posthumous Humiliation, set to be released March 1st via Profound Lore.

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Listen to: WHAMMER

In an effort to look beyond the digital promo pile, I recently put out a call on social media for any bands or labels that were interested in coverage to get in touch.  I mostly heard crickets, but I was also lucky enough to hear from Whammer, a new “blackened crust grind” band from Colorado, who sound lean, mean and pissed the fuck off on the demo tracks they graciously sent me to check out.

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THKD 2018 playlist on Spotify

With 2018 beginning to wind down, I’ve started to reflect upon all the great releases I’ve enjoyed throughout the year.  This in turn lead me to compiling a massive playlist on Spotify; it’s about 99% metal, but there are also a few non-metal surprises lurking around in there.

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The Creatures From The Tomb – The Terrifying Menace (Rotten Roll Rex, 2018)

What’s this?  A goregrind band that doesn’t sing about gore?  Germany’s The Creatures From The Tomb (henceforth referred to as TCFTT) play groovy goregrind in the vein of Cock and Ball Torture, The Day Everything Became Nothing and Cliteater, but their songs are not about zombies or hacking people up or having sex with corpses.  Instead, TCFTT mine their subject matter from classic black and white horror films, such as The Phantom of the Opera and Creature from the Black Lagoon.

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Birdflesh – Night of the Ultimate Mosh (Everlasting Spew Records, reissue 2018)

When I was in college, there were a few instances where I was beyond dirt poor.  Back then, people actually still gave a shit about CDs, so painful as it was, I’d sell off chunks of my music collection so that I could like, pay my bills and eat ‘n’ shit.  One of the CDs I sold was an original pressing of Birdflesh’s Night of the Ultimate Mosh on Razorback Recordings.

That was really stupid of me.

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Brujeria – Pocho Aztlan (Nuclear Blast, 2016)

pocho-aztlan

It’s been sixteen long years since we last got a full length from Brujeria, but with presidential candidate/racist fruit loop Donald Trump threatening to build a wall between Mexico and the good ol’ U-S-of-A, there’s no time like the present for everyone’s favorite south of the border Satanic drug lords to come out of hiding.

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