Oodles of Brutals XII: Brutal on Both Sides

It’s been just a little over a month since the last Oddles of Brutals; that has to be some sort of record.  2020 continues to be a banner year for all sorts of sonic brutality, so without further ado, let’s take a look at another batch of brutal, slamming and technical death metal marvels.

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Schizogen – Spawn of Almighty Essence (Willowtip Records, 2020)

We’re just a little past the first quarter mark for 2020, but metal fans have already been treated to a deluge of quality brutal death metal; from the mind-bending technicality of Odious Mortem, to the crushing slams of Engutturalment Cephaloslamectomy, to the unmitigated violence of Unmerciful, it’s shaping up to be a hell of a year.  But sitting at the top of this monolithic BDM heap is Spawn of Almighty Essence, the sophomore album from Ukrainian skull-smashers Schizogen.

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Oodles of Brutals XI: Only Built 4 Brutal Riffs

Hard to believe its been almost eight months since the last one of these roundups, but 2020 is finally starting to cough up some quality brutal death metal and slam, so you know what that means…

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Gorevent – Fate (Comatose Music, 2020)

Japan’s Gorevent are the undisputed heavyweight champions of minimalist slam.  Over the course of a decade and a half, the band have successfully stripped the sub-subgenre of slamming brutal death metal down to its molten core; no technical flourishes, no guitar solos, no bullshit, just slam in its purest, grooviest form.  Fate is a testament to Gorevent’s continued dedication to keeping things as boneheaded as possible, and there ain’t a damn thing wrong with it.

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Oodles of Brutals X: In Space, No One Can Hear You Slam

Devourment for Relapse Records, January 17, 2019.

Well friends, it’s been nearly eight months since the last Oodles of Brutals, which means we’re long overdue for another deep dive into the world of all things brutal and slamming.  So without further ado…

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Gorepot – Asian Stoned Effect (Brutal Mind, 2018)

Slam is one of the most over-the-top subgenres of metal and they don’t come any more absurdly OTT than Taipei City, Taiwan’s Gorepot.  The brainchild of ubiquitous slam god Larry Wang (Facelift Deformation, Fatuous Rump, Guttural Corpora Cavernosa, Maggot Colony, Umbilical Asphyxia, Coprocephalic, Fat Tub of Lard Records), Asian Stoned Effect is the band’s seventh album and it’s also one of the most ri-goddamn-diculous slamming death metal albums you’re ever going to hear.

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Fetor / Crepitation – Onset of Horrendosity (Deformeathing Production, 2019)

Split releases can be difficult to review due to the competitive vibe they give off.  Although it’s likely not the intention, it always feels like a battle between the bands involved.  Indeed, Onset of Horrendosity is a slamming brutal death metal death match between two up-and-coming acts, Fetor and Crepitation, and both are young, hungry contenders.  Which band will put the slam smackdown on the other and come out on top?

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