One of the things I miss the most about the nineties is the willingness major record labels had to release totally off-the-wall shit. From Reprise unleashing the Boredoms’ utterly mind-fucking Pop Tatari on the unsuspecting masses to Columbia striking a deal to market and distribute Earache’s catalog full of ear-shredding death metal and grindcore records, major labels in the nineties exhibited a bizarre fearlessness that was oftentimes downright shocking, flying in the face of the notion that they were corporate, soulless, blood-sucking musical widget factories where underground bands went to sell out, get screwed over and die.
Well friends, it’s been nearly eight months since the last Oodles of Brutals, which means we’re long overdue for another deep dive into the world of all things brutal and slamming. So without further ado…
On November 16th, 2016, the online metal tabloid known as Metalsucks published their “manifesto” in which they very publicly announced “We will not tolerate racism, misogyny or any form of bigotry or hate speech” (because apparently it took them ten years of running a website, not to mention a good chunk of their adult lives to figure out these things are shitty).
I recently had the opportunity to check out The Godfathers of Hardcore, a documentary about NYHC legends Agnostic Front focusing on the lives of vocalist Roger Miret and guitarist Vinnie Stigma. Of course, you can’t talk about Agnostic Front without also talking about Madball, the band fronted by Miret’s younger half-brother Freddie Cricien, which began back in 1988 with a then twelve-year-old Cricien being backed by the members of Agnostic Front.
If there’s one thing Metal Twitter™®© is good for, it’s manufacturing non-controversies within the scene. The latest of these flare-ups occurred when Philly-based death metallers Pissgrave unveiled the cover art for their new album Posthumous Humiliation, set to be released March 1st via Profound Lore.
With the dawn of the THKD YouTube channel, I decided to do something a little different this year. I’ve split my year end top 20 metal albums list in two; half of them can be found below, the other half on YouTube. So, once you’re done reading this list, head on over to THKD TV and check out the rest of the list… if you don’t mind watching a semi-drunken nerd rant and rave about heavy metal for thirty minutes. But enough of my rambling; as I’ve been saying for almost a decade now, long-winded intros are bullshit. Let’s get on with it.
Has it really only been a month and a half since I last posted one of these? That’s got to be a new record. Whatever the case, we’ve got a lot of crucial slamz and mandatory brutality to cover this time around, from the nearby Bay Area all the way to the Land Down Under, so without further ado, let’s dig in…